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Conflict
by Mimi Barbour
Spirit travel isn’t a theme I’ve ever read before. Time travel – yes – but the two are poles apart, because you’re taking the whole person and putting him/her into another setting either backwards or forwards in time. When I write my stories, I have my spirit traveller leave their body in a coma and invade another’s. Then I have to imagine what it must be like to have two souls co-existing inside one person. And, of course, they're sometimes different genders, always different personalities and it only stands to reason that their goals are different, which adds to the conflict.
When I begin to plot a new story, I imagine a scenario where my two main characters meet, fall for each other, and the positive, flowing steps that lead to their happy ending. I keep the beginning of the story and the end, and then I viciously twist and tweak the middle so that nothing transpires in a smooth way. This is where the conflicts start showing up. I ramp up each situation until even I have to back off and give the protagonists a bit of a break. Feels a little like playing god. I never knew I was such a control freak!?
Using the same setting—the small English town of Bury—helps me tremendously. For example, in Together Again we have a fire that burns down their senior’s home. In Together for Christmas (to be released this holiday season) we have a part where the newly built place shows up in the story and helps to settle a conflict. I must say, when I began to write the series, I didn’t consider these continuing angles at all. But I certainly do now.
There are also a couple of people who show up in each of the stories, my favorite characters, Dr. Andrews and Mrs. Dorn. Their personalities, especially that of the housekeeper can be used in building up conflict in an emotional way. A good story should have each level of conflict ongoing so that the reader not only worries about the welfare of their hero and heroine’s futures, but also the happiness of their hearts.
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Excerpt:
The general store, filled with clothes for younger men, proved to be exactly what Troy wanted. He grabbed a pair of stylish bell-bottomed jeans and a black T-shirt from the overflowing racks and made his way towards one of the changing rooms. As soon as he opened the curtain and saw the mirrored wall he stopped.
“Hold it! Are you still there?” His voice warned of his seriousness. It was a rougher, no-nonsense tone—one she recognized from when he’d used it on the bullying blokes yesterday.
“Uh-huh! Where else would I be?”
“Don’t be cheeky! You can see right now, can’t you?”
“Of course I can. I see out of your eyes, don’t I?”
“Right! Fine.” He closed his eyes, continued into the change room, and stumbled when he stubbed his toe on the wooden chair.
“What in the world are you doing?”
“You’re only sixteen. You shouldn’t be seeing a man undress.” He hadn’t had to worry about her spying in his room, for there wasn’t a full-length mirror. He’d taken care never to look at anything she shouldn’t be seeing. Not an easy task but doable.
“Number one. Just ‘will’ me to leave and you’ll feel me shut down, because I’d respect your privacy. And number two, yours wouldn’t be the first male body I’ve seen anyway.”
“Number one, how about just shutting up instead of shutting down. And number two, what the hel—heck do you mean by not the first male— No, wait. I don’t want to know.”
“At least let me see you after you’re dressed. It’s very difficult carrying on conversations with someone you can only see from the inside.”
“What does it matter?”
“What if I told you I have a crush on you and I want to see what you look like, especially in your knickers?”
The tight jeans were only halfway up. Vertigo and embarrassment collided, engulfing him at the same time. His knee bashed against the chair and his forehead hit the wall. Muffled swear words and babbles that made no sense, except that the surly meanings were explicit, rang out before he spoke to her again.
“Stop that!” He sounded angry.
“Stop what?”
Was she giggling? “Stop saying things like that. You don’t have a crush on me. You don’t even know me.”
“I know you’re extremely kind, that you care about small children and animals, take on burdens even when you don’t want to, and—and you’re ambitious. You have a wonderful, warm chuckle, and—”
“Enough! For God’s sake, my head will swell. Look, sweetie, you’re sixteen—“
“Almost seventeen.”
“And I’m almost thirty. Besides, you should be with a nice guy your own age.”
“I already have.”
“What?” Troy’s eyes popped open — wide, very wide.
****
“Ohh! You’re a smasher, you are.”
He stared into the mirror as if he could see into the soul hidden inside him. The ferocious look on his face warned her not to say another word. Instead she silently continued to view his features. His piercing, multifaceted eyes, brown and green, gold and gorgeous, were daunting.
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